Spotlight On: Improv Utopia East

improvutopiaeast[1]If you’ve been part of the network for a while, you know it’s no secret that Nick Armstrong is one of my very dear friends and partners on the site. I’ve known him since our iO Level 1 class over ten years ago and I was fortunate enough to have had a very tiny hand in the first Improv Utopia in 2011. Since then, Camp has grown into a very active and supportive community year round, not just during those few days near the Pacific Ocean together. This year, Nick is taking Improv Utopia to the east for the first time. I hope the many new campers join the great Improv Utopia community this fall. I got a chance to ask Nick a few questions about the camp.

Before we talk about East Camp, some of our readers aren’t familiar with Camp Improv Utopia. How is it different than other improv camps? Why did you decide to start one?

Well it all started about six years ago as an idea. We had heard of improv camps before, there was Camprov in the East that we (John Abbott, Jessica Young, Brian O’Connell and myself) wanted to go to badly but never got a chance to attend before it closed. So we wanted to start a place out West that was a summer camp for adult improvisors first and secondly a place to unite improvisors from all over the country. We saw the improv community growing nationwide, so we wanted to create a place to help it along the way. A place to share knowledge, make life long friendships and build the improv community like never before.

We also wanted Improv Utopia to be intimate. We’ve always believed in quality over quantity. We want every camper to get a chance to really know each other by the end of the weekend and we also want our campers to get focused training from our instructors. One thing we really believe in is free-time. We want improvisors to have a chance to unwind, throw axes, shoot archery, canoe and just hang out together.

Four years in, why did you decide to expand to the East Coast? And why Pennsylvania?

We expanded out East to further our mission to unite the improv community. We felt what we created out West was such a positive “yes and” environment that we wanted to offer it out East. So we felt it was the right time to do that.

I take picking camps very seriously and after a long search, Camp Netimus in Pennsylvania was the one that caught my attention and had everything we wanted in a camp. It’s 400 acres of pure awesomeness and suitable for adults!

DSC3092[1]East coast improvisors have very different challenges than west coast improvisors. You definitely have some folks who cross the country, but how are you going to customize East Camp to the challenges of the east coast performers?

We will be doing an Improv Summit at camp and having East Coast and West Coast improv experts on our panel to discuss the challenges we face in improv. I feel that by sharing knowledge with each other we can all come together and face those challenges, answer questions and start a discussion.

We are also bringing master instructors from the West that East Coast improvisors usually don’t get the chance to take like Craig Cackowski (Dasariski/iO), Jill Bernard (HUGE/ComedySportz) and Paul Vaillancourt (iO/Beer Shark Mice).

The instructor list is available on your website, but what went into the choice of instructors this year?

We always choose instructors that we love and respect and think have added something to the improv community beyond just teaching. They are master instructors and are respected by our staff and the improv community at large. We also pick instructors who want to be there and be a camper too. Our instructors hang out, jam and perform with the campers.

One of the frequently mentioned advantages of the West Camp has been the balance of class time with free time to explore improv on a performer’s own. Talk about that and how it will work in the east?

We want Improv Utopia to be an experience. Improv workshops are a part of IU East for sure, but we also wanted camp to be a place where an improvisor can relax, do camp activities and hang out with other improvisors. Sure it’s nice to take a workshop with Jill Bernard, but wouldn’t it be just as fun to canoe with her too? Or play a round of basketball with Craig Cackowski?

For those who have been to West Camp, what new opportunities will be available at East Camp?

It’s a different camp! I know that sounds obvious but it’s more of a traditional summer camp then out West. We have a lake, horses, canoes and more. We don’t have that out West. Also we are inviting some East Coast master instructors like Will Luera (ImprovBoston) and Rick Andrews (Magnet Theater) that the West folks may have not had the opportunity to take before.

What are your long term goals with Improv Utopia?

Improv Utopia is a 501(c)3 Non-profit and our profits go back to the improv community. We hope to keep raising money to support festivals, theaters and provide scholarships to communities. We’ve done a lot already, but our long-term goal is to help raise more money to give back and also unite the improv community from the East Coast to the West Coast. We have always believed that together we are all better. A nationwide improv ensemble.

There are still a few spots left for camp this year.


Currently Bill is an instructor at The Torch Theatre and producer for the Phoenix Improv Festival. He tours teaching and performing across North America.

Improv Warrior: Jill Bernard

Improv Warrior (n.) Someone who goes above and beyond the call of duty. An improvisor, who is not just a performer, but lives and breaths improv, heightens the art, cares for the art and brings it to new levels.

Today’s Improv Warrior is Jill Bernard. I have had the pleasure of performing with Jill and bumping into her at practically every festival in the country. She is an amazing teacher and an amazing talent. But beyond that she is just a wonderful human being. Jill recently celebrated 20 Years as an improvisor and celebrated it in a major way! –Nick Armstrong

Here is what she had to say:

From Jill Bernard:

On Sunday December 1, 2013 I did a show called “JILLVITATIONAL: 20 duos in 12 hours to celebrate 20 years” – the length of time since I began improvising.

My favorite part was the sensation of each new partner. Jeff Wirth has taught me many things, but one little interesting tidbit is to read how an audience volunteer wants to play when brought up onstage. Are they a clinical person or an emotional person? I thought of that concept a lot during my twenty duos, because each pairing was an opportunity to be the scene partner my friend was asking for. When someone steps onstage, they’re proposing a game. If your opening line is, “I don’t know, Edgar, perhaps this climb was too ambitious, the temperature’s dropping faster than we could’ve predicted,” you’re basically saying, “Hello, would you like to play doomed mountain expedition with me, in a slightly old-fashioned and serious style?” and my answer will be yes yes a million times yes thank you, let’s let’s.

I was charmed by the opportunity to do so twenty times in a row, especially since I am rather infamous for being an ungenerous player who will drag your corpse behind the sled of my agenda. It felt like a lovely challenge to play the Venn Diagram of just the two of us to the nth degree, in the Viola Spolin sense of ‘following the follower.’

I picked twenty friends but I could’ve picked a million friends. The feeling I was left with after it was all over was “Oh, what’s wrong with the limits of my body and my brain that I can’t just keep doing this hour after hour and get to share the stage with everyone ever?” Being alone with just another person is the full dose of them. It’s the extra virgin million parts per million version of their aesthetic, and you get to take a bath in it. I could get used to that. Trish Berrong and I neared the final moments of the final duo and my eyes filled with tears for all the gratitude I felt in that moment – gratitude that Trish Berrong and Bailey Williams would come up from Kansas City, Lindsay Gonzales would come from Chicago; Samantha Pereira , Katy Kessler, Kelvin Hatle, Eric Heiberg, Doug Neithercott , Lauren Anderson and Josh Kuehn would come do improv before noon; Butch Roy would play and let me use our theater for this silly project all day long; Mary Strutzel, Eric Knobel and James Moore who were alongside me when I started would still be alongside me now; Clay Macartney, Bernard Armada would just hop into the unknown; Nate Morse would bring me a cat piano; Meghan Wolff, Jason Bindas and Carolyn Blomberg would be those kinds of friends who will play with you just because; and for everyone who came to watch and cheer and bartend and tech and box office. That’s a lot to be emotionally touched by, especially after a long day fueled by mostly Topperstix and runner’s Goo.

It was good, it was fun, but I won’t make an annual event of it as it’s exceedingly odd? arrogant? pathetic? to make up an event named after yourself. I did it because, as I told a reporter, “Improvisational comedy is the kind of an unsustainable ridiculous career where you ask yourself what you’re doing with your life every 12 months or so. I used this idea to kind of cheer myself up. It’s also an uncelebrated art form. Improvised theater is not even eligible for an Ivey award, none of the newspapers or online calendars have an ‘improv comedy’ section. As a result, improvisers can’t sit around waiting for recognition, we have to celebrate ourselves.” I feel so celebrated now. What a wonderful boost to spur me on for twenty more years.

Nick Armstrong

Nick is Camp Director and Founder of Improv Utopia an improv retreat for grown ups in California and Pennsylvania. He is also one of the founding members of the National Improv Network. We are always looking for better ways to serve the community. Drop us a line and let us know what you want! To e-mail nick e-mail nick@nationalimprovnetwork.com. For more information visit: http://www.nickarmstrong.com or http://www.improvutopia.com

 

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