1,000 Scenes with Morgan Phillips

I think it was Miles Stroth who said you have to do at least 1000 shows before you can become somewhat good at improv. Well how about 1000 online improv shows? Morgan Phillips is on a mission to do just that and guess what you can be a part of it. I interviewed Morgan about his project:

N: Tell us about your project and why you decided to do it?

M: To celebrate my 20-year improv anniversary, I’ve set out to do 1000 online improv scenes in 2015 — each one with a different scene partner.

N: When did you start this project?

M: I started on New Year’s Day, 2015.

N: Do you have a finish date?

M: My goal is to complete 1000 scenes before the end of the calendar year.

N: Tell us how it works, how frequently do you do these?

M: Anybody who wants to be part of the project just needs to send me their general availability, and we’ll set something up. Shortly before the scheduled time I send them a link to a Google Hangout, and (barring technical difficulties) they click the link and we do a digital improv scene together.

I’ve done scenes at all times of the day and night — including a 3am scene to fit the schedule of an improviser in Australia (Reid Workman, scene #111). I have to average approximately 2.75 scenes a day to stay on pace, so I really am looking for anybody and everybody who’d like to participate. So far my scene partners have ranged from artistic directors of improv theaters to a guy literally doing his very first improv scene (Joe Cherry, scene #70). Some of the people are friends of mine, but many of them are people I’ve never met before.

N: What do you think about improv online? What are the pros and cons?

M: The technology is still in its infancy. There are frequent glitches, and sometimes we have to troubleshoot for several minutes before I actually start the Google Hangout broadcast. Once it’s up and running, it’s a lot more limited than actual, real-world improv. There’s less opportunity for physicality and space work, so there tends to be far less “going to the environment” than there would be in a standard scene.

That being said, it’s free. There’s no need to rent a space or book a show, and you can do it any time of the day or night. I highly recommend it for anybody out there who loves improv, but isn’t getting enough stage time. Provided you can find at least one other person who’s into it, you can literally add as much improv into your life as you can stand.

N: What has been the most interesting scene you’ve done so far?

Scene #221 (with Kevin Hines, head of the UCB training program in NYC) was an attempt to do my half of the scene live, on stage. It was an enormous failure, thanks to a huge delay between the scene and the live feed, and an unreliable internet connection. It made for an interesting video, though. The audience at the theater claimed to enjoy it, but it’s possible they were just being polite…

I think this project is so fun and I got a chance to do it with Morgan too. Our suggestion was Pun and we plotted to murder a co-worker. HA! Morgan is a super nice guy and very fun to play with! Go do it and help him reach his goal.

Do you want to be a part of this great project! Feel free to e-mail Morgan at morganphillips@gmail.com and join the fun!

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Nick Armstrong
Nick is Camp Director and Founder of Improv Utopia a non-profit improv retreat for adults in California and Pennsylvania. He is also one of the founding members of the National Improv Network and performer at iO West as well as member of The Sunday Company at The Groundlings. He has also teaches improv throughout the country.

Spotlight On: E-MPROV – Improv Online Worldwide

A few months ago I participated in an improv show online on E-mpov. I saw the potential of Improv online as a way to connect the improv community worldwide. I had a chance to interview the Artistic Director of this online adventure Amey Goerlich to chat with her about:

NICK: How did E-EMPROV start?

AMEY: Terry Withers Created E-MPROV.COM here is what he had to say about it:

I wanted to perform more than I was.  My son was 6 months old and Jenn needed help.  I was still doing improv shows when I could but they put an amazing strain on our day to day.  I knew about video conferencing and I decided to look into it.  I couldn’t believe that you could just broadcast a video conference.  That blew my mind.  I decided I would try to figure out how to do that, certain that either my lack of tech knowledge or old computer would stop me.  Somehow they didn’t.  I wanted there to be a way for a show to happen and build momentum for the next one.  YouTube didn’t really lend itself to that.  I decided I would try to design a website, guessing that my lack of tech knowledge or old computer would stop me.  Once again I was wrong.  Then I invited a bunch of improvisers to give it a shot.  Since improvisers tend to be wonderful people, they agreed to give it a shot.

NICK: What is the goal of E-MPROV?

AMEY: E-MPROV is dedicated to embody and celebrate the principals of long form improv as an equal opportunity performance option to all. We are devoted to the widespread promotion of long form improv nationally and internationally. Combining electricity and improv to create a new way to universally connect to others through the power of Improvisation.

NICK: What do we have to look forward to with e-mprov?

AMEY: We are creating a lot of new shows like our College face offs where we have two college improv teams compete against each other and the team with the most likes on their e-mprov set will move on to the next College face off.

We are also connecting with improvisers globally.  We have one international team that performs live every sunday at 10am and we just started International Jams.

We have Improv talk shows, Bit shows, Regular house teams which includes a High School improv team.  I’m even doing a monthly show where i improvise with kids under 4 years old called Look who’s talking improv.

NICK: How can improvisors get involved?

AMEY: Easy go to our website E-MPROV.COM and on the bottom of our front page you can register as a team or an individual. We have 3 Jam shows a week one being international where you can play with people from France, Tokyo, England, Australia and many more countries.

NICK: What have been your biggest challenges?

AMEY: Probably the technology on google hangouts.  We have so many ideas and it’s just a matter of trying to play with the format to do different things with it.  Also the international aspect of E-MPROV is tough because they want to also do shows live but at prime times for them which usually means 7 or 10am EST in the US.  But we are game for anything.

Nick Armstrong

Nick Armstrong is Founder and Camp Director of Improv Utopia an improv retreat for adults in California and Pennsylvania. He is also one of the founding members of the National Improv Network and performer and teacher at iO West as well as member of The Sunday Company at The Groundlings. He has also taught many workshops around the country.

Performing and Coaching Improv Online – The Pros and Cons

Last Tuesday I was asked to be a part of a google hangout  improv show for a website called e-improv. e-improv is a website that streams live improv shows via Google Hangout. The show I was in was called Let’s Get Serious Guys! Hosted by the lovely Juliette Everhart from the Kansas City Improv Community and The Recess Players. We were also joined by Founder and Artistic Director and old student/friend of mine Dylan Rhode from Backline Improv Theater and The Omaha Improv Festival in Nebraska. Like anything in improv I always like to do new things and I saw this as an opportunity to give it a try. I’ve also coached online improv with a Kansas City group that Juliette is on and I’ll go into detail about that experience as well.

The Show: e-improv

For the show on Tuesday, I was exciting and nervous all at the same time. Playing with people you haven’t played with, but also it’s online! Will I be able to hear them? Will I miss some moments? How will it go? The first part of Juliette’s show was an interview session which she asks Dylan and I to come up with a theme in improv that we enjoy…

For Dylan and I it was easy, “Community” since we are both in the building community game we felt compelled to talk about it. Then after that we go into an improv jam for 10 minutes. We get a suggestion from a book and then here we go. I will say this, I had a fun time…Was the improv great? Not the best, I’m sure all three of us would agree, but still a fun time.

Technology still needs to catch up I think. Sometimes the delays in technology slowed the timing down and it was hard to hear. Talking over each other is nearly impossible to do online because of the way it is set up…Maybe that’s a good thing! 🙂

My overall view of it is that online improv will never replace a brick and mortar establishment, but what I do love about online improv is the fact that you can do it with anyone in the world at anytime and that is the best takeaway from this experience. What a way to build a worldwide improv community. I don’t think the founders of the site, which I intend to do a follow up blog with and interview with them, are intending to do.

When you spend so much time in front of a screen that it causes a tired, strained feeling in your eyes, you may be suffering from a condition known as computer vision syndrome. This problem is so common that is it said to affect somewhere between 64 and 90 per cent of office workers.

I think they are trying to just build community and you know what…I’m on board with that. It never hurts to do something that brings improvisors together. Hey if you have fun and it makes you laugh, then follow that.

PROS – Meeting and playing with people from all over the improv community that you would never get the opportunity to play with.

CONS – Technology makes improv connections hard and there is limitation in physicality. You are pretty much doing talking head scenes.

Coaching Online:

I was really hesitant to do this. Call me old school. I coached a team in Kansas City, MO. So in the spirit of yes, and… I did it and I don’t regret it. Yes, you are limited in what you can do as a coach.

It’s hard to get physical or get up there with them to demonstrate and there are certain exercises you can’t do. But I coached them for almost a year, off and on, and I saw an improvement in them and they felt an improvement in their play. My motto is this, if they feel they’re getting something out of it and I see improvement then it’s worth doing.

PROS – Getting coaches from around the country to teach you their style and philosophies along with some of their exercises. Coaching online can help improvisors grow.

CONS: Limited in what you can do with teams and technology can some time crap out on you. Also, it can be hard to hear or see things depending on visibility of the camera and mic set up.

 

Nick Armstrong

Nick is Camp Director and Founder of Improv Utopia an improv retreat for adults in California and Pennsylvania. He is also one of the founding members of the National Improv Network and performer and teacher at iO West as well as member of The Sunday Company at The Groundlings. He has also taught many workshops around the country.

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