The Teaching Tool is live now and this is just the beginning of the tools which will be rolling out for teachers and people hoping to bring out teachers during the rest of 2015. So here is a brief guide on what exactly the tool is, what it will be, and how to use it.
Like the festival submission tool here on the site, part of the purpose of the teaching profiles is simple convenience; having all your information in one place and easy to send to others. But the other part is helping to put the right information there. There are plenty of people out there who have experience both as traveling teachers and as theatre owners. They know the needs and speak the language of both. But there are also many people who only know one of those. Many teachers don’t know the kinds of information that theatres or festivals need when looking to bring out instructors, and vice versa. This tool, and the tools to come will attempt to bridge that communications gap and make the process of bringing instructors to your city as simple as possible.
Some of those tools will be pretty high falootin’. I’ll talk about some of those plans at the end of the blog. But in order for those tools to work, teachers need to be able to set up a home base for those tools to run through. So let’s get those profiles going.
Theatres: Setting up the Teacher’s Lounge
If your theatre has a training program. You can set up a space for your teachers to call home. You can also have some basic information about your training program here for viewers to see. Eventually, there will be more tools for student tracking and curriculum building, but for now it’s just a place to showcase your teachers. Setting it up will only take about two minutes.
Enable the Training Page
The first thing you need to do is to enable the teaching page. To do this, edit your theatre info either from the theatre’s profile or your own home profile. Towards the bottom, you’ll see the following options.
Make sure “Training Program” is checked “Yes” and save.
If you return to your theatre page, you’ll see the option to set up your info.
Clicking here will take you to a brief wizard that will allow you to enter information on your training program, a link to your registration page and a course catalogue.
When you’re finished, you’ll be returned to your theatre profile and you’ll see a new tab called “Training” on your profile that will be visible to anyone who wants to know more.
Now that your training page is setup, you’ll see different options on the top of your screen when you visit it. One of the options will be to “Change Instructors”. Clicking this will let you add instructors to your training page the same way you would add performers to your theatre before. You may notice that some performers on the site aren’t on the list of people you can add as instructors. That’s because they haven’t indicated on their NIN profile that they are teachers. Drop them a line and let them know they can enable that on their profiles and then they can be added to your faculty.
Teachers may also indicate that they are teachers at your theatre on their own profiles, but their addition to your faculty on the page will only go live pending your approval. You’ll receive an email any time someone indicates they’d like to be listed on your training page.
Congrats, you’ve set up your training profile. Keep an eye open for future developments here.
Teachers: Enabling Teaching Tools
Not everyone is a teacher, so not everyone needs all the teaching tools popping up around the page. If your a teacher – either as part of your local training center or on the road, you can enable those features by editing your profile and checking the box below.
Once you return to your profile page, you’ll see the invitation to get started.
Click it and you’re on your way.
Depending on the options you select on the way, not everyone will fill out every part of the wizard, but the first page is the same for everyone. Most of the options on the first page are pretty self-explanatory, but here’s a quick rundown..
You have the option of displaying your current bio on your teaching page, or creating one more catered to your teaching experience. If you select “New Bio” you will have the opportunity to type a teacher-specific bio on your page. Don’t worry, your existing bio will still show up right where it always had on your performer profile.
A note on cut-and-paste Sometimes it’s easy to cut and paste info like that from other web pages. When you do, you take not only the text of that info, but all of the formatting rules and potentially all sort of other background information from the other page. Doing so is never “harmful” but it can have three unintended results: It can make your profile sluggish to load if there’s excessive amounts of background, it can try to apply the visual formatting from your old page, which could look quite incongruous, and in some rare cases it could just not save at all, and you’ll have to type it over again. If there’s a lot of text you want to copy from another website, a good idea is to copy it first into a basic text editor (Notepad for Windows, TextWrangler for Mac) to clear out any unneeded background noise, and then copy and paste it again into the page here.
You have two options here. You can select if you are a teacher in a training program and you can select if you are a teacher who teaches your own workshops. You can absolutely check both. Each will give you access to different tools.
This is a totally optional space to include a link to an external webpage about your teaching.
This is a place to upload your headshot. Why? When people bring you into town it’s very helpful to have a good looking image of you to promote your workshop to potential students. This sometimes means the difference between a half-full workshop and a full one.
Hit next and you go deeper down the rabbit hole.
If you selected “I teach classes as part of an improv training center’s faculty” on the previous page you’ll be presented with a list of theatres in your state. The wizard only lists the theatres in your home state to prevent having to search needlessly, but in the off chance you teach regularly out of your home state, just drop me a personal note and we can set that up manually for you.
You might see an empty list even though you know there are theatres in your state. If that’s the case, double check your own profile that you have your home state (Two letter abbreviation) filled in.
If you are already listed as a teacher for a theatre, it will say “Active Teacher”. For other theatres, it will say “[Join]” to add yourself to the faculty. This change won’t automatically put you own a theatres teacher list. The theatre admin will have to approve your request.
You might see a theatre that says “No Training Program”. This is because either they actually don’t have a training program or because they haven’t indicated that they do on their theatre profile. You can always reach out to whoever maintains the profile and ask them to enable this feature.
And that’s it. Moving along.
If you selected “I teach workshops locally and/or while traveling” you will now have a chance to post a couple of quotes about your teaching prowess. Enter up to three quotes and who said them to appear on your main teaching page. In the future, theatres and festivals will have the option to add testimonials to your profile in its own section, but even then, you’ll be able to choose the three quotes you want to place right on your front page.
Quotation marks? If you’re anal like me, you’ll want to know if you should include “” or not. Don’t worry, the main profile has a little bit of formatting code that will make sure all quotes look uniform on your main page.
Here’s the part that’s going to actually take a bit of thinking. This is also the part that is going to make the biggest difference in getting invited to theatres and festivals.
Theatres and festivals, particularly ones that haven’t had a lot of experience bringing teachers out are frightened of calling you. It sounds silly, but it’s absolutely true.
That fear comes from the fact that they respect you – and all teachers – enough that they are afraid to open a dialog with you only to realize they aren’t able or willing to offer you what you need in exchange for your time and knowledge. Not just you, all teachers. Young theatres often simply don’t know what is expected of them in terms of taking care of you.
This is your chance to put that information out there. Put in writing what you are asking in exchange for a workshop.
Don’t be afraid to ask what you are worth. Don’t set your expectations so low that you will actually end up losing money to take a weekend to teach. There has been a false idea for a long time that theatres can’t afford to spend the money it would take to bring out a teacher. The truth is, theatres are going to make money from your visit, both in the long term via better shows and more ticket sales, but also in the immediate term during your visit with just a little bit of planning on their part.
Don’t be unreasonable. Don’t be a diva. But demand to be treated like a professional (and act like one in return). I’m speaking as a theatre owner myself and I promise you, the value of bringing you out is becoming more and more clear as 2015 moves into 2016.
Don’t be ashamed to ask for your skills to be respected. You will have to earn that respect at first, to be certain, but don’t be afraid to put yourself out there. If theatres are going to grow, the relationships with teachers will have to continue to grow and evolve and that starts now with us all collectively working towards that.
Travel accommodations. If the workshop isn’t in your city, how are you going to get there? What do you need for that to happen.
Lodging. More than likely you’ll be there more than one day. You need to sleep. You need a shower. What do you need from theatres to make this happen?
This one gets forgotten pretty easily. Unless their theatre has a bedroom upstairs (I’ve actually experienced this, and it’s pretty great) you’re going to need to get to and from the venue. And you may need to get to a place to eat, or get around while visiting. Make sure to let the theatre know if you have any needs here.
How much do you expect to be paid. Now this is of course the most variable figure. There can be a lot of factors that can affect this. Sometimes flight costs can change this. Sometimes the length of your stay or the number of activities you’re involved with can affect this. But put down a good baseline so theatres have at least an inkling of what they’re getting involved with. And also don’t be afraid to include as much info about the things that may cause some flexibility. The more info they have, the better.
Wildcard. There is often some piece of info that doesn’t fit into the other categories. Maybe you have a special skill that is worth mentioning. Maybe there are some conditions that can affect your travel plans (there’s at least one very good instructor on the network who gets free airfare around North America. That’s pretty useful info). This is really a place to put any extra info you think would be helpful.
Even tough it’s at the bottom of the page, it’s the most important piece of info to some people. They’re going to calculate what it will cost to bring you in, and they’re going to have to figure out how to make that money back, and how to make the most of your visit. Are you available to do additional workshops? Are you willing to sit in on shows. Are you willing do to coaching sessions with groups while you’re in town? You’ve spent the top half of this page telling them what you expect. Now’s the chance to tell them what they can expect from you.
This info is just for you. You’ll be able to see it from your profile page, but no one else can. Booking your own flights and/or hotels can be a hassle. Booking someone else’s can be a nightmare. Lots of pieces of your personal information will be needed to book your flight.
-First Middle Last Name
-Other (depending on the type of flight or hotel)
In addition to personal info, you may have frequent flyer miles or perks reward memberships. Now if the theatre has them as well, by all means, let them reap the reward. They’re paying for this. But if they don’t, might as well earn some frequent flier miles.
This area is a place to store all your personal info as well as any membership info or other travel info all in one place. That way, when you’re ready to visit, you can copy and paste that info all at once rather than hunting it down from a half dozen webpages.
Congratulations. Your page is all set up. On the final landing page of the wizard you will be able to either visit your profile and look it over, or go right to setting up your workshops.
Setting up Workshops
You can click through from the last page, or you can add workshops at any time from your teaching profile. Right smack in the middle of the page you’ll see [Add Workshop].
Setting up your info
There’s a lot less info here than for your teaching profile. Just fill out the fields.
Do you teach this workshop alone, or do you teach it with others. If you teach with partners, you’ll have a chance in a few minutes to add them to the workshop. For now, just select the appropriate box.
Pretty self-explanatory. Just fill out a description of your workshop.
How many students can you have in your class before diminishing returns on what they can learn?
How long is your workshop (in hours)
This is admittedly a very subjective term. But just think about if this class would be helpful to a level 1 student, an advanced student, or someone who has been performing for some time.
If you’ve selected multiple instructors, you can add up to three additional instructors to your workshop from the workshops page. Adding instructors works very similar to adding performers to a theatre or a troupe in other parts of the page.
So what exactly does that mean in terms of maintenance? Since you created the workshop, you will be the primary contact person for the workshop. You will also be the only one who will be able to edit the description et al for the workshop. The workshop will show up on their respective pages however and their teaching profiles will be linked from the workshop page.
Congratulations. You’ve set up your profile and your workshops.
Now that you have a profile, you can start reaching out to theatres and they to you, but there’s not a lot to facilitate that outside of just reaching out to each other. New tools will start filtering in over the coming weeks and months of 2015. Why aren’t they up immediately? Well, we got as much feedback as we could building the profiles, but undoubtedly some of you will also have great ideas we hadn’t thought of. We want to give the teaching profiles a test run by themselves to get your feedback so we can incorporate those changes into any tools to come rather than launching those tools today and then reinventing them.
So what’s coming?
Nothing super-complex here. Just a searchable list of teachers accessible from the main menu.
Soon you’ll be able to submit not only your troupes to festivals, but also yourself as an instructor. And festival organizers won’t just be able to see you if you’ve submitted. If you’re in a troupe that submitted to a festival, the organizers (if they opt in to this part of the tool) will be able to see that you are instructor, which might help your chances and your troupe’s chances of being invited.
History and Reviews
When you start teaching at festivals and theatres on the network, you’ll start building a history, not only to show your experience, but to offer potential bookers to contact those you’ve worked with in the past for recommendations. Those theatres and festivals you visit will also have a chance to leave reviews on your page. (We’re working on ways to make this constructive and usable). You’ll still be able to choose your favorite three quotes for your profile.
I am so excited about this one. If you’re going to be in the same city as a theatre, it’s a great opportunity for them to take advantage of your knowledge withoug springing for a plane. If you’re going to be in another city for whatever reason (wedding, vacation, etc) You can add a travel notice that will alert any nearby theatres that opt in to your visit. Then they’ll be able to reach out to you and see if you’re game for teaching since you’ll already be there.
Training Center Tools
This first batch of tools is aimed a little bit towards the traveling teacher, but we haven’t forgotten the training centers. We’ll have some cool tools towards the end of the year to help both artistically and logistically. Most of the tools are still very much in the “Wouldn’t it be neat if…” phase, so I don’t want to comment to much on them until they’re a little more firm, but they are coming.
Are these tools coming this week? NO! I’m going to
watch TRON (already completed), take a nap and remember what my girlfriend looks like. But they’re coming.
I’m excited by this. I hope you are too. Let’s get to teaching!
Currently Bill is an instructor at The Torch Theatre and producer for the Phoenix Improv Festival. He tours teaching and performing across North America.