Do’s and Don’ts Part 2: Festival Submission Packets

Looking to make a great submission packet? Ever since co-creating NIN over two years ago, I’ve had the opportunity to see some really good troupe submissions and some really bad ones. I’ve heard and interviewed many festival producers over the last two years and have chatted with them at festivals and here are some Do’s and Don’ts regarding your festival submission packet.


1. Have a full un-edited improv show. This is a no brainer you’d think. Not just 5 or 10 minutes of a show but a full show. Most festivals book you a 25 to 30 minute slot so they need to see your whole show so they know what they’re buying. If you don’t have a video you won’t be accepted. Unless you’ve made special arraignments with the festival organizer then you may get in, but if they don’t know you you’ll be passed up.

2. Make sure your video is clear and you can hear it. You won’t believe how many videos we see that are grainy or you can’t hear it or it’s really bad audio. Also make sure you tape at an angle you can see the whole stage. You’d be surprised at how the Bermuda triangle gets improvisors and you can’t see them perform. Imagine you have to watch 100 videos. What do you think you’re going to do when this one comes up…NEXT! It doesn’t have to be produced with multiple camera angles, we don’t want that, but it should be clear and easy to listen, see and hear.

3. Fill out the application completely! If you’re on NIN we guide you through that process, but if your a non-member going through a google form fill it out. Festival producers don’t want to chase you down for information and they will most likely pass you up. If they are asking for it, they want the information for a reason.

4. Submit early. A lot of times it’s cheaper and festivals don’t usually get a ton of submissions at the beginning so that may benefit you and give you a little more attention.


1. Be vague – When filling out your troupe synopsis or your bio don’t just put “We are hilarious” or something weird that doesn’t make sense like “We are funnier then a unicorn,” yes this is for real! We understand you’re being witty, but I can’t sell that to an audience and I still don’t know what you do. Are you trying to outwit a Unicorn? Pretend you’re writing a bio to someone who has never seen your show or an improv show ever. Here is an example of a great troupe Bio from The Bearded Men out of Minnesota:

The Bearded Men began performing together in 2006. They’ve been fortunate to have trained with some of the most talented names in improv, including Jill Bernard, Matt Donnelly, Kevin Mullaney, Joe Bill, 3 for All, and more. They travel as often as possible to national festivals and anywhere else that will have them. In 2014 they formed a second group based in Los Angeles, Bearded Men West. 

The Beards perform short and long form improv. However, they primarily focus on narrative based long form improv they call, Epic Adventures, many times layering on a theme.

Since 2011, Bearded Men Improv has had a weekly show at HUGE Improv Theater in Minneapolis and in 2014 Bearded Men West began performing weekly, currently at the Impro Lab. They are grateful to have such awesome and supportive places to perform regularly.

Simple, to the point and an outside audience can get it. Remember you’re not just promoting yourself to a festival producer and committee you’re promoting yourself to a potential audience. Make it easy for a festival producer to know who you are.

2. Be lazy – Take it seriously put time and thought into your submission as team. How are you going to sell yourself? If you’re a troupe have a logo, have a troupe photo. Nowadays this is easier then ever so there is really no excuse. You don’t want to make a bad impression. Your submission is your first look into your troupe. A festival organizer will see this and take you more seriously and if they’re on the fence about you, this may put you over the top. Here’s an example of a great submission packet from our friends at Switch Committee out of Chicago. If you put some love into it you may just get some love back. These guys book festivals!

3. Let your Show Bio and Show Description be the same thing. Don’t just copy and past your bio and your show description have them be different. A bio is the history of your troupe, when you were formed, what theater you come from, maybe a little info on what you do improv-wise and maybe even what festivals you have done. A show description is just that a detailed description of your show. “A montage that is different” is too vague. Also, 1,000 other teams to that too. How are you different? Explain it. Here is an example of a good show description:

Hot Codlins out of NYC

One troupe, 5 ladies, dozens of characters — Hot Codlins came together over a shared love of telling stories.  You want femme fatales? Greasy gangsters?  Weird aliens and wacky rom-com sidekicks?  We got ’em all.  We do long-form, character-based improv that plays in, out, and around genres and styles of film, tv, and theater.

4. Don’t submit as show that you’re not going to bring. If you’re video is of a Harold and you decide to do a montage at the festival you could potentially risk losing the relationship you have with that festival. When they’re booking shows and putting you in their schedule they are being very strategic about how they’re doing that. And if they wanted a Harold in that spot and you are them and you don’t deliver. Yikes. That’s very unprofessional. So do the form you’ve promised. Also, make sure you don’t submit your team and then come with completely different cast. The people in the video submission are the ones the festival organizers expect to come. If for some reason your accepted and your troupe members back out notify the festival organizer immediately and go from there. But this again, depending on when you contact them could risk you’re troupe giving them a huge headache and not coming. If you do it within the first week or so of being accepted you are probably still okay.

So there you go. This should help guide you of what to do and what not to do when it comes to a festival packet. I hope this has helped and if you’re not a member already become one for free at We can help you make a great submission.

Nick Armstrong

Nick is Camp Director and Founder of Improv Utopia an improv retreat for adults in California and Pennsylvania. He is also one of the founding members of the National Improv Network and performer and teacher at iO West as well as member of The Sunday Company at The Groundlings. He has also taught many workshops around the country.


The Do’s and Don’ts of Getting In and Attending Improv Festivals

So, it’s festival season, there are a lot to submit to now so I thought I’d write some do’s and don’ts about trying to get into a festival and what to do when you get into one.

Do –

1. Have a great unedited video! A lot of festivals want to see what they’re getting and they want to see your show. Tape a bunch of your shows and take one that you think represents your show the best. It’s better to have a few to choose from. Taping just one rarely works out. Also, if you do a festival and they tape your show get it from them.

2. Fill out all the information. Whether your a member on NIN or a Non-Member filling out their application. Fill it all in! They are asking for all the information for a reason. Don’t make them work harder to find it, because they have 100 other teams submitting that have it all filled out and you will get passed up.

3. Put some effort into your submission – Have a professional group photo, a team logo, make it look sexy. You want to make it easy for a festival to promote you. Remember they have to fill your seats so anything you can do to make that easier is amazing to a festival producer. Do you have press clippings? Give that to them too. This shows you care and that you mean business and a festival producer will see that.

4. Network – Have fun, go to the parties at a festival, thank the volunteers, the producers, the bartender. Go support other improvisors shows. It’s a great way to meet people and I can guarantee you, you will find someone there that does another festival or has been to one and can help you get into more.

5. Take Workshops – What a great way to get teachers you would not necessarily have in your community. Most of the time the festival is putting up good money to bring some master teachers out and not making a profit off of it. They do it more for you. So take them up on it and trust me you’ll come out a better improvisor. Plus you get to play with people from all over the country and it’s also a great way to network. I’ve met some great people taking workshops in the past

6. Send a thank you e-mail to the producers after the festival. And if they send out a survey, do it. It helps them tremendously to hear your input.

7. Wear appropriate clothing – Sometimes you should ask what the attire is at a festival, but really what it comes down to is professionalism. Probably not the best ideas to wear shorts and a t-shirt.

8. Ask for feedback – Did you not get accepted. It’s okay to e-mail and ask for advice on your submission. Also, reach out to us at NIN and we can always help give you advice on it.

Don’t –

1. Back out of a festival once you’ve said yes. Recently, there has been a string of this and I’ve heard gripings. If you say yes then you’re in. You have committed and the festival has already put you on the bill, promoting, made posters, programs etc. By quitting you have cost them money and now time to fill your spot. I can guarantee you will not be invited back and the community is a small one it gets around.

2. Submit your team of 7 people and show up with 3 or 4 or different improvisors. When you submit your team and they watch the video with those improvisors that’s who they are saying yes to. If you bring a different team of less then what you’ve promised that becomes a huge issue. Festival Producers go through a lot to try and promote a festival, pick teams and fill seats. Your job is to give them what was promised.

3. Be unprofessional – You’re representing your team and your theater. Show a little pride and make sure you show up to your calltime on time, do the show you promised and respect everyone that worked to get the festival going, don’t be drunk during your show. I know this sounds like common sense but I’ve seen it all.

So if you want to get into a festival, be invited back or go to more festivals these do’s and don’ts should help guide you on your way through the festival circuit. Just keep in mind, once you’re in a festival you are representing that festival to their audience and community. Happy traveling and submit away!

To submit to a festival instantly become a member at it’s free to join!

Nick Armstrong

Nick is Camp Director and Founder of Improv Utopia an improv retreat for adults in California and Pennsylvania. He is also one of the founding members of the National Improv Network and performer and teacher at iO West as well as member of The Sunday Company at The Groundlings. He has also taught many workshops around the country.


Recording on the Road

You don't want your shows to look like this.

You don’t want your shows to look like this.

Festival shows are always exciting times; great audiences, geat venues, and the excitement of sharing what you love with someone new. We love festival shows and we often want to record them. Recording festival shows can make for great submissions and also great memories. The reality of it though, is that this isn’t your theatre and you don’t have the same control over your environment. Recoding festival shows can vary in quality from not quite as good as normal to B-roll footage from Cloverfield. We want to be as close to the former as possible. And we also want to do so while respecting the festival and the people putting it on.

There are three ways people usually record shows on the road. Here are a few tips that might make for the best quality recordings and the best etiquette on the road.

General tips

Respect the tech
This overrides everything else in the article. The producers and the tech controllers at any festival have a lot on their plate. They don’t need to worry about your plate too. If you want to record your show. Don’t ask them to do the work for you. Sometimes, they volunteer to help. And that’s awesome, but never assume. On the other side, don’t ingnore them. This is their house. Try to talk to them well before your show; earlier that day or before you even arrive in town if possible. Ask permission to record your show. Ask what will be non-intrusive to their work. Almost every time, they’re willing to find a way to get you taken care of without interfering with their work. They may even request that you do not record. Respect that too. They’re the boss.

Set the lighting conditions
The lighting conditions of this space aren’t the same as yours. The contrast between the lit stage and the dark theatre can make a big difference in recording. And the lighting conditions when an audience is arriving is different than during showtime. If you get a chance. Go to a prior show at the festial, or politely ask during your tech time to go to the actual lighting conditions of the performance. That way you won’t have to adjust during the show.

Don’t assume there will be a power outlet. In fact, unless there is a super-convenient power outlet. Don’t use them. Make sure you have battery power for your show and then some. It just saves a lot of panic and hassle

We’ve got a camera guy who will set up in the corner

Get out of the way
There are paying audience members. And many of them are getting their first exposure to improv. They get right of way 100% of the time. Don’t take a good seat away from them. Don’t be blocking their view. Don’t be blocking the way to the bathroom. They win. Always

Speaking of the bathroom
There are areas where people are likely to be walking during the show, most frequently these areas are the walkway to the bathroom and the exit. If possible don’t have that walkway between you and the stage or your going to get a lot of heads. Is that a big deal? No, not really. But something that can sometimes be avoided for a slightly better experience.

Buy a ticket
If your camera guy is taking a seat. Buy them a ticket. Support the fest.

We’re just going to put this camera on this ledge here

Don’t get robbed
It’s not a common problem, but use common sense. Don’t leave a camera in an exposed place where no one will see it get ganked.

Record early
Don’t get stressed about hitting record and then running backstage. Just make sure you have plenty of space and start recording really early.

Our friend is going to hand-hold a camera during a show

Make that display non-intrusive
The Person behind your friend doesn’t need to see to versions of the show

Turn off the noise
So help me, turn off those beeps and dings.

Train them to use a camera
Most of the time when you ask a friend to record a show, they don’t have experience recording shows. Let them know to get a good wide shot of the stage and to not zoom in and out and move all over the place unless they really have to. If someone’s head ends up in front of them, move slowly out of the way instead of jerking the camera around.

Elbows on armrests
It’s a simple trick to minimize shudder and arm fatigue. Have them find a comfortable place to rest their elbows, either on armrests or their lap. This provides a makeshift tripod that won’t be shaky. But it will also allow them to hold the camera up for a while without arm fatigue. They can also put one arm down for a moment here and there while the other arm holds in position.

Camera Phones

Consider a phone
Smartphone cameras are getting to be pretty good these days. They might not be quite as good as a good handicam, but it’s one less thing to bring to the theatre and worry about. Not to plug, but I personally use a Sony Xperia Z and it works fantastically. 1080p, 24fps. They’re pretty nice and they don’t require lugging extra equipment.

Turn off time limits
Many camera phones have a not-well known feature that they will stop recording after 30 minutes to prevent accidentally wasting space and battery life. It’s a good idea, but turn it off for shows that might be longer than that. If you have a camera person, let them pay attention to start recording again if this happens

There are phone tripods now. They’re cheap and they fit in your pocket

Battery Chargers
Same as above. Cheap and portable.

Horizontal for the love of all good things
Don’t hold that camera vertical. It’s just… the worst. That’s true of pretty much everything in life, but especially a show on a stage that is longer than it is tall.

Recording on the road is tricky. But with a little thought and a lot of respect for the tech crew, it can work out.

Currently Bill is an instructor at The Torch Theatre and producer for the Phoenix Improv Festival. He tours teaching and performing across North America.

Spotlight on Detroit

thumbnail_1389710217-300x300[1]Disclaimer: My heart belongs to two cities: Phoenix and Detroit. The Detroit Improv scene quieted down about ten years ago, but it’s back in full force and their festival is quickly becoming a “must go to” event. If you haven’t been up to DIF, I strongly recommend it. And personal guarantee, if you visit Detroit for their festival this year and have never had a coney, I will buy you one with a Vernors’.

There have been some changes to the festival since last year and I got a chance to talk to Jessie Kunnath about the festival this year.

Last year was a big growth year for The Detroit Festival, and also a year of a lot of change. What does that mean going into the 2015 festival?

Last year we really stretched the seams on our festival, extending the activities from a 4 day festival to a 7 day festival. Moving into 2015’s festival we have evaluated what worked and what didn’t and made adjustments. We decided as a board that a 4 day festival is the right length for our community and we’re working on making it as organized as possible.

We’re keeping some of our most popular events such as the Saturday afternoon BBQ and family friendly show. One of the things we are modifying for this year is that we are keeping all the festivities within the downtown Ferndale area, easy for walking and parking.

Outside of the festival, the Detroit scene has seen a lot of growth. What kind of improv are audiences used to seeing in town now?

Within the last couple of years, the improv community has really begun to grow. Not only are classes filling up at all of our local improv theaters (Go! Comedy, ComedySportz Detroit, Michigan Actors Studio, Planet Ant), but other notable groups such as The Detroit Alternative Comedy Collective (DACC) has formed and brings indie troupes into local restaurant/bar/brewing establishments for improv nights.

Improv audiences in Detroit are great! Due to the talent of our local improvisers they have been exposed to everything for fast-paced short-form to monoscenes and Harolds.

Along the same lines, what kinds of shows are you hoping to bring into town to expose audiences too?

One of the most amazing things about DIF is somehow we’ve been fortunate enough to bring in premier, veteran improvisers and this year is no exception. We’ll be releasing the full list of acts in early June.


Photo by Heather Sejnowski

One great thing about the festival is the proximity of the venues to each other. Where will performers be playing this year?

Performers and audiences can except all activities and shows to be within walking distance of downtown Ferndale. We’ll be utilizing Go Comedy and The Ringwald theaters and also adding in a new partner Local Kitchen & Bar.

The festival is right near the border of Detroit and Ferndale, which means really interesting things in both directions. What are some things visitors should check out near the festival?

Detroit is a revitalized city. Sure there’s still some bad streets but there is so much new life. If you are a foodie, a craft brew lover, a historian, a music lover or a sports enthusiast we have things for you in the Detroit-Ferndale area. If this is your first trip to the city, be sure to drink a Vernors’ ginger ale or Faygo red pop and get yourself to a coney island pronto. We have a bunch of craft breweries popping up all over too. If you have some extra time during the week, be sure to check out a Detroit Tigers baseball game at Comerica.

Detroit doesn’t have a reputation for food, but there’s a lot of fantastic food that just can’t be found outside of Michigan. What are some things or places people should check out to eat?

I don’t know why Detroit doesn’t have a food reputation – let’s change that one meal at a time, shall we? This year we are fortunate enough to partner with Local Kitchen & Bar that has nice higher-end pub/bistro feel to it. Their menu changes seasonally and they have many vegetarian-friendly meals. Try their brunch!

There are also amazing restaurants within walking distance of the DIF venues: Anita’s Kitchen (Middle Eastern), Como’s (Italian), The Fly Trap (cozy diner featured on Diners, Drive-in & Dives), Imperial Bar (gourmet tacos) and M-Brew (all Michigan-products – great burgers). But if you are in the must-eat-in-Detroit mode, there’s the iconic American vs. Lafayette coney island rivalry for the best coney dog (a hot dog in a steamed bun covered in meat sauce chili topped with diced onions and mustard).

Outside of shows, what other activities will be happening for performers this year? Classes? Parties?

Along with our premier shows, we be offering premier workshops taught by those headliners. We’re still confirming the who, what and when but rest assured this year will have an amazing selection to pick from.

Each night of the festival, DIF will be hosting a festival-sponsored afterparty as well. The location will change from night to night, but it’s a great chance for the performers to mingle amongst other performers and volunteers. In the past, our after parties have had karaoke, made-to-order drinks and a live DJ. Do NOT miss.

What are your great hopes for the festival this year?

I’ve been with the Detroit Improv Festival since the beginning, serving as a volunteer, then a director and board member. My greatest hope for this festival is that we can live up to everyone’s expectation because this festival really is top-notch. I want to be able to show that DIF is dedicated to their mission statement of advancing the art of improvisational comedy in metro Detroit. I’d like to show all the attendees (including those laypeople) that Detroit is a blurb on the map that has a vibrant and strong community, mixed with that mid-west niceness.

Submissions are only open for a few more days. Get on that and submit.

Currently Bill is an instructor at The Torch Theatre and producer for the Phoenix Improv Festival. He tours teaching and performing across North America.

Spotlight on Kansas City

thumbnail_1427051454-300x300[1]Kansas City is just around the corner and submissions are wrapping up soon. If you don’t know much about the festival, I got to talk to Ashley Osborn about what visitors might get to experience this year. And it sounds pretty amazing.

Kansas City is geographically in a great spot. It’s kind of a hub for so many improv cities. What’s the improv scene in Kansas City like right now. What kinds of shows are really growing?

KC’s improv scene just keeps growing, it’s a pretty exciting time. We have three different theaters producing shows every week and more and more troupes lining up to play. Long form shows, including competition shows, house teams and class shows, and harold teams have helped to increase audiences at the Kick Comedy Theater and the Uptown Arts Bar while short form has expanded with more shows per week at ComedyCity in the past year. Sketch has also brought in a new crowd that we want to keep too.

The festival is a great opportunity to showcase different kinds of improv to your audiences. what do you hope to showcase at the festival for local audiences?

We want to show our local audiences what all is out there in the improv scenes across the country so they stay hooked and grow along with us. We also want to show them that we have a stellar scene ourselves by showcasing our local troupes that fill our theaters every weekend. We work hard to keep getting better and the festival is a great opportunity to both learn from our visitors and appreciate our locals.

Will there be any headliners or workshops this year?

Yes! We just aren’t quite ready to announce them yet! As soon as we have all the details locked down, we’ll get it out there.

What are some of the things performers can do while they are in Kansas City?

KC is awesome , we’ve got stuff to keep you busy. Take a tour of Boulevard Brewery or just go drink a few in Westport, the Country Club Plaza, or in the Power & Light District. Check out our signature bbq burnt ends at Joe’s Kansas City, Jack Stack, or any one of our many bbq joints around town. We’ve got museums, live music, Sporting Kansas City soccer and the Kansas City Royals. You won’t be bored.

What will the venue be like this year?

We have two venues this year, same as last year. Our first weekend the festival will be held at the Kick Comedy Theater in Westport, home to the KC Improv Company, the producers of the festival. It is an intimate theater connected to the best burger and beer spot in town, the Green Room, so its basically perfect for improv. Our second weekend will be held at Musical Theater Heritage in Crown Center, an absolute experience to play in with seating on three sides of the stage.

If a performer has never played in KC before, why would you tell them to come?

Come to our festival, you’ll be glad you did. We “treat” our visitors as much as we can, truly inviting you to enjoy our festival. Meet our improvisers, enjoy our audiences, partake at our afterparties. Go Royals.

Submissions are open now. Please check out this great festival.

Currently Bill is an instructor at The Torch Theatre and producer for the Phoenix Improv Festival. He tours teaching and performing across North America.

Spotlight on Los Angeles Improv Comedy Festival

The Los Angeles Improv Comedy Festival enters its 13th year. The festival is held at iO West in Hollywood and is going to have a mix of celebrity shows and improv troupes from around the country even a 7 day improv show trying to break the world record! I was able to interview iO West Artistic Director James Grace about the fest:

NICK: It’s amazing to think it’s the 13th year of the festival. What are some of your favorite memories from the past 13 years of the fest.

JAMES: Each Festival we’ve had, there’s been such a joyful mix of beginners to comedy legends, performing, watching and celebrating the art form that has changed each of our lives, so it’s hard to choose only a few memories but I’ll try.

I loved the SNL vs MadTV shows from the first few years of the Fest, with cast members from each show “competing against each other” in one big montage; they were the ultimate example of collaboration.

I also love seeing the performers from outside of LA as they make connections and friendships during the course of Fest week and then seeing them return year after year. There are also some amazing local groups (who who seem to be at the Fest annually) which are some of the best improv groups of all time like; Beer Shark Mice, Opening Night! The Improvised Musical, Weirdass. The various casts from TV and film coming to improvise is always a thrill like, Community, The Office, Reno 911, Broken Lizard, The Sarah Silverman Program just to name a few. But I have to say, seeing Monty Python’s Eric Idle on our stage was like having the Beetles stop by, it was awesome!

NICK: What do you look for in a submission?

JAMES: With a submission, we are looking for the quality/experience of the group or person submitting and we are always looking for original and unique content to add to the Festival. Try to shoot and edit your submission videos as professionally as possible, so we can focus on your talent and not be distracted by sound or picture problems.

NICK: What can a troupe expect when getting into the festival?

JAMES: Troupes that get into the Festival, not only have the opportunity to perform for peers, comedy heroes and industry; they also have the opportunity to learn in workshops and panels from top instructors, comedy heroes and industry. On top of that they will get to see some of the best improv groups in the world, be a part of history, performing in the 7 Day Improv Show and make new connections and friends that will be with them for life. So I guess they can only expect a life changing experience!

NICK: What kind of workshops will you be offering at the fest?

JAMES: We will have a wide range of comedy workshops and focuses, from individual to group improv to casting to marketing your group and much more. There will be the chance to study with the top improv teachers in the country as well as workshops taught by special celebrity instructors. We will also have several panels at the Festival with topics beneficial for brand new improvisers to veteran performers as well as some special panels with casts of your favorite comedies giving a behind the scenes look into their show.

NICK: This year you’re having 4 competitions. Can you explain that and what do they win?

For the HAROLD COMPETITION, two teams are given 25 minutes to perform their take on the classic improv form the Harold. Winning prizes include a showcase at the famous Comedy Central Stage at The Hudson Theater, a 4-week run on the iOWest Main Stage and more.

For the DUO COMPETITION, each two person team is given 25 minutes to improvise, battling against another two person team for the funniest set. The winning prizes include $200 and the opportunity to host a monthly Duo show on the iOWest Main Stage. For the CAGE MATCH COMPETITION two teams are given 20 minutes each to do whatever kind of improv they want. The lights will be cut at 20 minutes. Winning prizes include a showcase at the famous Comedy Central Stage at The Hudson Theater, a 4-week run on the iOWest Main Stage and more. For the STAND UP COMPETITION ten comics per each first round competition, 5 minutes each, and the top two comics chosen by audience vote each night go to the finals. Our Stand Up Competition finalists will get the opportunity to perform another 5 minutes with special guest headliners on the championship night. The winning prizes include $200 and the opportunity to host a monthly Stand Up show on the iOWest Main Stage.

All competition details are listed at

NICK: There’s a 7-Day Improv Show! You guys are trying to break a world record. How did this all come about?

JAMES: This year as we looking to set the Guinness Book of World Records for Longest Continuous Improv Show (150 hours straight, starting 7pm Sun Aug 2nd -and ending 1am Sun Aug 9th) with our 7 Day Improv Show. This show will allow for more stage time opportunity for our Festival groups, in addition to their Festival showcase show.

This show was pitched to me by two performers from the iOWest Theater, Keith Saltojanes and Rob O’Connor and I loved the idea of so many improv groups getting to be a part of history, so we sat down and figured out the logistics of doing a show like this. We will be live streaming the whole show and I expect some extremely interesting improv to take place in those early morning slots. I can’t wait to see this show!

If you’d like to instantly submit to the LA Comedy Festival you can do so HERE.

Nick is Camp Director and Founder of Improv Utopia an improv retreat for adults in California and Pennsylvania. He is also one of the founding members of the National Improv Network and performer and teacher at iO West as well as member of The Sunday Company at The Groundlings. He has also taught many workshops around the country.

Spotlight on the Stumptown Improv Festival in Portland

The Stumptown Improv Festival is the answer to Portland’s growing improv scene. I’ve heard tales of cool gift bag for improvisors who attend as well! I was able to interview Jed Arkley of The Stumptown Improv Festival and asked him some questions about the fest:

Tell us a little about the Improv Community in Portland.

The improv community in Portland, like a lot of things in Portland, has its own flavor and tempo. We’re not home to major schools like UCB or iO or Second City, but that has allowed Portland’s improv community (and comedy scene in general) to find a distinctive voice. We’ve got our own theaters and training programs (Brody Theater, Curious Comedy), as well as a slew of independent teams and coaches, that approach improv in their own way. It would be hard to pinpoint Portland’s “style”, but I think it’s fair to say that improv here puts a high value on strong relationships, realism, and playing to the top of our intelligence. We’re really a long-form town, in all the ways that term can be used.

At the same time, our community is going through a really fantastic growth spurt. The past few years have seen a cornucopia’s worth of new groups sprouting up and, most importantly, performing and performing and performing again. We’ve always had a ton of improvisers, but it’s good to see the scene starting to edit itself, push itself, and become stronger.

Why did you decide to start the Stumptown Improv Festival?

I was driving back from the Vancouver International Improv Festival in 2013 after performing with my group, Whiskey Tango, and it just hit me: “Wait a minute. We can have a festival in Portland. There are festivals in Vancouver, Seattle, LA, San Francisco…this is a no-brainer.” Also, Vancouver puts on such an amazing festival, from the quality of the comedy to the way they treat the improvisers, that I was super-pumped after being there. I immediately called Erin and Leon (the other two co-founders) and the three of us have been kickin’ it/rockin’ it/jammin’ out ever since. In addition, as mentioned above, we really wanted to give the improv community a platform from which to shine and an opportunity to kick their comedy into high gear. Bridgetown was a big help for the standup scene here in that way and we wanted to do the same for improv. Exposure to amazing groups from around the country, as well as a little healthy competition, can help out groups immeasurably.

What can improvisors expect when attending your festival?

A preeeeeeety amazing gift bag. A really tight and friendly gang of Portland improvisers. A smart audience who appreciates intelligent and original comedy. A venue that is close to perfect for improv.

What do you look for in a submission?

Be honest, realistic, and listen. When I say “realistic”, I don’t mean that you can’t be at a Space Monkey Farm, but, if you are, make that the most honest Space Monkey Farm that we’ve ever seen. Note: don’t ever name your improv group “Space Monkey Farm”. Don’t be goofy. Trust that you’re already funny enough and let it develop.

What are some fun things your city has to offer an improvisor who is considering coming out to you?

The Greatest Summer Weather in the History of Humankind. So much good food, from restaurants to carts, that it starts to make you a bit angry. An attention to detail in all things alcohol-related (think: craft beers, craft cocktails, craft distillers) that you wonder if Portland is just denying that it has a serious drinking problem. Across the board, attractive and approachable men and women who will be showing their skin.

Where venue is the festival held at?

Milagro Theatre. Low-ish ceilings and ideal capacity (121) make it such a nice stage to play on.

Only a few more days to submit to the Stumptown Improv Festival click HERE.

Nick is Camp Director and Founder of Improv Utopia an improv retreat for adults in California and Pennsylvania. He is also one of the founding members of the National Improv Network and performer and teacher at iO West as well as member of The Sunday Company at The Groundlings. He has also taught many workshops around the country.

Spotlight on Improv Fest Ireland

NIN has welcomed our first ever international festival to use our instant submission service, that festival is the Improv Fest Ireland. We were able to interview Neil Curran, who runs the festival in Dublin. Here is what he had to say:

What is the biggest difference you see between the US an Ireland when it comes to improv.

The improv scene in Ireland has been growing rapidly in recent years and long form is becoming more and more popular.  While the long form scene is still in its infancy, there are wonderfully talented performers and troupes emerging around the country.  I’m quite passionate about community in improv and its a joy to see other troupes embrace this notion as we witness more and more jam nights and shared stage events.  We don’t have a dedicated improv theatre in Dublin yet but more and more venues are opening their doors and embracing the art form.  While our excellent stand up scene dominates the comedy circuit, the improv community is working hard to forge our own personality in the arts and comedy community.  And this makes it a great time to be part of the improv scene here.  Improvisers are learning their art from many improv instructors, locally and also through visiting international instructors.  This is empowering performers to create their own style of improv, taking elements of what works for them from each instructor rather than abiding the style of one instructor or theatre.  For example, troupes are creating their own formats or personalising established formats and also blend game work with narrative.

For folks coming out of the country will you have hotel room blocks or how will you help them with housing?

We will have an accommodation partner for the festival where discounted hostel rooms will be available for performers.  There is no short supply of accommodation options in Dublin.

What workshops can improvisors look forward to?

We haven’t confirmed the instructors yet for the festival as the application window is still open, but we have been overwhelmed by the call for instructor applications.  As with previous years, we will be offering a diverse range of workshops catering for improvisers at all levels.  There will also be coaching opportunities where troupes can work with an instructor.  For example, last year we had instructors from Second City teaching character workshops through real people, an instructor from Sicily teaching about being physical in improv, to name but a few.

What venue is the festival at?

Since the festival’s inception, the festival’s home has been Dublin’s iconic Theatre @ 36 in the heart of the city.  However with the growth of the festival last year we are also in discussion with additional spaces that can cater for the prime time shows and the audience sizes they attract.  I can’t say the venue names yet but needless to say its another iconic space in the heart of the city.  Dublin is a small city by international standards with a population of less than 2 million, but what we don’t have in size we make up for in our rich culture and history

What are some fun things to do in Dublin?

There is no shortage of things to do in Dublin and the best part is everything can be either walked to or travelled to on a short bus/Luas (tram) journey.  Famous for Guinness, Dublin is home to many great pubs and bars.
The Guinness Storehouse tour is a fun way to find out the magic behind how they make a pint of the ‘black stuff’.Trinity College is our most famous college and is home to the Book of Kells which was found in an Irish monastery in the 6th century.  The book is housed in the “Old Library’ which is a sight to behold in itself.
The Dublin Literary Pub Crawl is very popular, and has storytelling guides take you on a tour of some of Dublin’s best pubs where you can stop off for a pint in each one while they recite famous stories and tales, some written by Ireland’s finest writers.The Leprechaun Museum might sound like something for the kids but at night, her interactive story telling tours bring us to the dark side of Irish folklore.We’re only scratching the surface here but its just a small insight into all the great things the city has to offer.

If a troupe gets into your fest? What can they expect?

A troupe can expect to be part of a festival in one of World’s most friendliest and fun cities.  The festival runs for a week and we will have shows and jams from all over the world.  There will be learning opportunities from world class instructor,  jams and mixer shows with talented performers from other troupes.  Last year we had performers from 13 different countries!  Troupes also receive a strong box office split for their professional performances.  But probably most important of all, is the highly coveting Improv Fest Ireland goodie bag.

What do you look for in a submission?

Programming the festival line up is a very difficult process and we really want all troupes to submit the best application they can.  Things for troupes to think about:
* What separates your application from the rest?
* What makes your show special?
* Do you have a unique genre show?
* Does your troupe have a particular strength?
* Is your show unusual or unique in format and setting?
* Does your application give a good sense of your troupe’s personality?
* Have you video footage you can share?

As someone who has been to Dublin, I can say Neil is right, it’s one of the friendliest and fun cities to go to. If you get a chance go! To instantly submit to the Improv Fest Ireland click HERE.

Nick is Camp Director and Founder of Improv Utopia an improv camp for adults in California and Pennsylvania. He is also one of the founding members of the National Improv Network and performer and teacher at iO West as well as member of The Sunday Company at The Groundlings. He has also taught many workshops around the country.

Spotlight on Improvaganza

Improvaganza is celebrating a decade of putting on a festival in Honolulu, Hawaii. In addition to being in one of the most beautiful places on Earth, it’s also one of the most well organized and welcoming festivals in the Western Hemisphere. I was fortunate to attend the festival five times and I highly recommend visiting. It’s a bit of a larger trip than many festivals, but it’s one that will almost certainly spur your growth as a performer and a troupe and introduce you to some lovely improv. I had a chance to talk to Producer Garrick Paikai this week and talk about the festival.

I’ve spoken up the festival many times and the response is almost always, “Well sure, Hawaii is beautiful.” But the festival is about so much more than that. Could you talk a bit about the philosophy of the improv scene in Oahu and the goals of the festival?

“Aloha” and “Ohana” if you hear those words you immediately think of “Disney’s Lilo and Stitch.” or words on a post card from Hawaii. But to the people who live in Hawaii they mean so much more. Roughly translated Ohana Means “Family” and Aloha means…. well it means Aloha… We say it as a greeting and in departing, we say it describe how we feel we about one another, but more so it’s a word of affection and warmth. “Aloha” and “Ohana” is two words that describe our culture here and our im[prov scene. We improvise with aloha (Love and Affection) and we believe all improvisers from all over the world are our Ohana (Family.) That’s what we want every single persons who participates in our festival to feel. From those who apply to our festival this year, to those who have been a part of our festival in the past, to every audience member who comes out to watch the festival; Improvaganza strives to make people feel like family.

A couple years back, you focused on forms other than Harold. Almost every year, you try to showcase certain kinds of shows to your audiences. What kinds of shows are you looking for in 2015?

Part of our mission statement is show case a diversity of improv shows and formats. We want to see what people can create with improv as an art form. in the past we had an improvised rock band, an improvised puppet show, even contact improv dance. This years we are looking to feature improvised plays and genre-prov groups. There are so many up and coming groups around the country whose focus is creating full on improvised narrative plays with costumes and small set pieces and other groups who specializes in creating and performing a particular genre of work. we would like to feature those groups this year. Don’t get me wrong.. if you have a kick-ass Harold or short form show we want you to apply too. again its all about diversity of improv shows.

DSC_0321A lot of people’s idea of Honolulu is limited to pictures of Waikiki, but there’s a lot going on all over the city, and right in the area where the festival is. What are some of the things visiting performers could see and do during their stay?

Oahu has a lot to offer other than Waikiki, First of all its no joke Oahu is beautiful. During the days I highly recommend checking out our beaches and hiking trails. Most times our local improvisers will offer to take visiting improvisers to there favorite beaches or hiking trails. Then there is the Food. if you haven’t tried local and Hawaiian food you are missing out. Again our local improvisers have no problem taking you to some of there favorite food joints. We have these great adventure tours like the pirate ship tour where you travel along the diamond head cost in pirate ship. its a lot of fun. then there’s Red Light District tour which offers to take you around some of The Chinatown infamous landmarks with storys of its history The Red Light District tours are quite popular and has even been featured in the Huffington post.. The Aloha Festival is usually going on at the same time so there is usually a parade in Honolulu as well.

One reason people are sometimes hesitant to submit to Improvaganza is that airfare is steeper than for many other cities. What are realistic expectations for the expense of visiting?

Yeah that’s a big expense and finding a good place to stay is a challenge too. its true for us leaving the state to be a part of another festival as well. traveling to and from Hawaii is expensive. Depending where you are traveling from the cost differs. You can find round trip flight s for under $500 and and you can find places to stay like for $80 a night. Other than that I want to say that the average flight down here is between $500 and $600. We try to help folks out, by researching good hotel rate for them. We also suggest that groups check out air bnb or similar sites because often renting a vacation rental house is cheaper than the hotels (especially if you have a large group).

DSC_0332What are some of the best places to eat around the festival? Also, please explain Haupia pie.

JJ Dolan’s has great pizza and is always a favorite of our festival patrons. Lucky Belly has great ramen and their new sister restaurant Livestock Tavern has unique dishes like zucchini bread pudding, beef tongue sandwiches and persimmon salads. Downbeat Diner has great diner food but also has vegetarian options for almost everything on their menu. One of the newest places people like to eat, drink, and hangout is Bethel Street Tap Room which has great hoagies, salads served in mason jars, and some of the best cupcakes in town. Wing Ice Cream has some of the best home made ice cream I’ve ever tasted. Each week they come up with special flavors like lavender and basil, mango haupia, etc. You must try it. Oh and we’re in Chinatown so there are a number of Chinese restaurants near by. These are just a few of the great places to eat near by. Ask any of our local improvisers and you’ll get tons of suggestions of places to eat based on whatever you happen to feel like eating that day.

Haupia Pie is basically a coconut cream pie. Haupia is a traditional Hawaiian desert. A creamy coconut pudding with a gelatin consistency made with coconut milk. Creamy coconut goodness.

What activities outside of shows will be part of the festival this year?

After Party! There nothing like a good after party after each run of shows. We do have an Aloha Friday after party, where we invite folks to where aloha shirts and dresses, We have a pot luck on Saturday night. and there is a Karaoke schedule party schedule this year too. One of the highlight for me is the annual Mash Up on our closing night of shows. the Mash up is a jam session where all our performers are put into random teams and asked to create a show together in 15 minutes. then they perform it in 15 minutes. its so much fun.

Kumu Kahua

Kumu Kahua

One of your venues, The Arts at Marks just got a facelift. What are the venues like this year?

That’s true, The ARTS at Marks Garage just finished their first round of renovations. we expended our 60 seat theatre to about to 100 seats and we now have a proper dressing and green room. I’m quite happy with our renovations because we can hold more people in our venue. the second locations is Kumu Kahua theatre.

A visitor to Improvaganza can’t leave without hearing about Ohana. Can you tell us a bit about it?

Like I said earlier Ohana means family. and if anything we want everyone to feel like they are a part of our improv family here in Hawaii. and to expand on what I said earlier Improvaganza offer more than a chance to perform in one of the most beautiful places on earth and workshop with some the best improv teachers, Improvaganza treats you like your coming back home even if its your first time coming to Hawaii. No Matter who you are, where you come from, the type of improv you like to perform, if its your first time to Hawaii or if you live here your whole life. We welcome everyone as if they are a part of our family. If its one thing that our festival is known for its local hospitality. We hope that we can share that with all of you this year.

Think about it. It’s a chance to visit Hawaii and actually perform improv. There’s nothing better than that. Submissions are only open for a few more days. Get on that and submit.

Currently Bill is an instructor at The Torch Theatre and producer for the Phoenix Improv Festival. He tours teaching and performing across North America.

Spotlight on Baltimore Improv Festival

Baltimore has gone through a lot lately, but the show must go on and the 9th year of The Baltimore Improv Festival is showing no sign of slowing down. It’s just what the community needs so please check it out and submit if you can. I had a chance to interview BIF Executive Producer Mike Harris about this years festival.

9 Years is amazing run for an improv festival. What has been the biggest challenges of running a festival?

Thanks Nick. We’ve been really fortunate to have so many great troupes come visit. They’ve really allowed us to build a loyal audience for the festival. Every festival has to figure out what makes it unique, and for us, it has been the enthusiasm of the Baltimore audience. We’ve chosen to keep our festival at one venue to keep the audience concentrated. Which is great for giving performers a chance to get in front of large audiences, but also means we have less slots to offer and have to turn down some really good troupes. That’s probably the biggest challenge right now, saying no to folks we want to invite.

What do you look for in a submission?

Subjective though it may be, we do put funny first. Always like to see troupes that are having fun playing with each other, and showing solid grounding in improv fundamentals. Nothing wrong with breaking the rules as long as it comes from a deliberate choice to do so. Beyond that, we look for troupes that have uniquely marketable formats and increase the diversity of the festival lineup. Any chance we get to offer something Baltimore hasn’t seen before, we’ll take it.

What are some fun things to do in Baltimore?

Best thing about Baltimore is that you won’t mistake it for being anywhere else. We’re a funky, friendly city-sized small town. Baltimore is made up of a borderline absurd numbers of small neighborhoods. Great thing about that is that each one has its own flavor. So in a matter of blocks you can come across entirely different food, music, shops. So, I’d say hit Fells Point, Little Italy, Canton or Mount Vernon and just walk around and see what grabs your interest. And the Inner Harbor is fine. A little touristy and the one place that probably seems least like Baltimore, but tons to do.

With the riots that are happening in Baltimore. What can you say to an improvisor who is hesitant to submit to your festival.

Baltimore has a reputation that predates the recent demonstrations, and we, like a lot of American cities, have deeply rooted, systemic issues and injustices. The problems that came to a head these past few weeks will still be here for the 9th Baltimore Improv Festival and, sadly, probably the 99th Baltimore Improv Festival. That said, the amount of violence was greatly overstated. The overwhelming majority of the demonstrators were completely peaceful. The vast majority of the city is safe, and that includes the area where the Festival will be held.

Will there be workshops at the festival?

Absolutely. We will have two sessions of workshops on Saturday and two on Sunday. Hopefully we will be able to offer around 10-12 workshops over the course of the weekend, and we absolutely encourage members of accepted troupes to propose workshops they would like to teach.

To submit to the Baltimore Improv Festival click HERE.

Nick is Camp Director and Founder of Improv Utopia an improv retreat for adults in California and Pennsylvania. He is also one of the founding members of the National Improv Network and performer and teacher at iO West as well as member of The Sunday Company at The Groundlings. He has also taught many workshops around the country.

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