Spotlight on Los Angeles Improv Comedy Festival

The Los Angeles Improv Comedy Festival enters its 13th year. The festival is held at iO West in Hollywood and is going to have a mix of celebrity shows and improv troupes from around the country even a 7 day improv show trying to break the world record! I was able to interview iO West Artistic Director James Grace about the fest:

NICK: It’s amazing to think it’s the 13th year of the festival. What are some of your favorite memories from the past 13 years of the fest.

JAMES: Each Festival we’ve had, there’s been such a joyful mix of beginners to comedy legends, performing, watching and celebrating the art form that has changed each of our lives, so it’s hard to choose only a few memories but I’ll try.

I loved the SNL vs MadTV shows from the first few years of the Fest, with cast members from each show “competing against each other” in one big montage; they were the ultimate example of collaboration.

I also love seeing the performers from outside of LA as they make connections and friendships during the course of Fest week and then seeing them return year after year. There are also some amazing local groups (who who seem to be at the Fest annually) which are some of the best improv groups of all time like; Beer Shark Mice, Opening Night! The Improvised Musical, Weirdass. The various casts from TV and film coming to improvise is always a thrill like, Community, The Office, Reno 911, Broken Lizard, The Sarah Silverman Program just to name a few. But I have to say, seeing Monty Python’s Eric Idle on our stage was like having the Beetles stop by, it was awesome!

NICK: What do you look for in a submission?

JAMES: With a submission, we are looking for the quality/experience of the group or person submitting and we are always looking for original and unique content to add to the Festival. Try to shoot and edit your submission videos as professionally as possible, so we can focus on your talent and not be distracted by sound or picture problems.

NICK: What can a troupe expect when getting into the festival?

JAMES: Troupes that get into the Festival, not only have the opportunity to perform for peers, comedy heroes and industry; they also have the opportunity to learn in workshops and panels from top instructors, comedy heroes and industry. On top of that they will get to see some of the best improv groups in the world, be a part of history, performing in the 7 Day Improv Show and make new connections and friends that will be with them for life. So I guess they can only expect a life changing experience!

NICK: What kind of workshops will you be offering at the fest?

JAMES: We will have a wide range of comedy workshops and focuses, from individual to group improv to casting to marketing your group and much more. There will be the chance to study with the top improv teachers in the country as well as workshops taught by special celebrity instructors. We will also have several panels at the Festival with topics beneficial for brand new improvisers to veteran performers as well as some special panels with casts of your favorite comedies giving a behind the scenes look into their show.

NICK: This year you’re having 4 competitions. Can you explain that and what do they win?

JAMES: The four competitions are a HAROLD COMPETITION, a DUO COMPETITION, a CAGE MATCH COMPETITION and a STAND UP COMPETITION.
For the HAROLD COMPETITION, two teams are given 25 minutes to perform their take on the classic improv form the Harold. Winning prizes include a showcase at the famous Comedy Central Stage at The Hudson Theater, a 4-week run on the iOWest Main Stage and more.

For the DUO COMPETITION, each two person team is given 25 minutes to improvise, battling against another two person team for the funniest set. The winning prizes include $200 and the opportunity to host a monthly Duo show on the iOWest Main Stage. For the CAGE MATCH COMPETITION two teams are given 20 minutes each to do whatever kind of improv they want. The lights will be cut at 20 minutes. Winning prizes include a showcase at the famous Comedy Central Stage at The Hudson Theater, a 4-week run on the iOWest Main Stage and more. For the STAND UP COMPETITION ten comics per each first round competition, 5 minutes each, and the top two comics chosen by audience vote each night go to the finals. Our Stand Up Competition finalists will get the opportunity to perform another 5 minutes with special guest headliners on the championship night. The winning prizes include $200 and the opportunity to host a monthly Stand Up show on the iOWest Main Stage.

All competition details are listed at http://ioimprov.com/west/festivals/annual-improv-comedy-festival/

NICK: There’s a 7-Day Improv Show! You guys are trying to break a world record. How did this all come about?

JAMES: This year as we looking to set the Guinness Book of World Records for Longest Continuous Improv Show (150 hours straight, starting 7pm Sun Aug 2nd -and ending 1am Sun Aug 9th) with our 7 Day Improv Show. This show will allow for more stage time opportunity for our Festival groups, in addition to their Festival showcase show.

This show was pitched to me by two performers from the iOWest Theater, Keith Saltojanes and Rob O’Connor and I loved the idea of so many improv groups getting to be a part of history, so we sat down and figured out the logistics of doing a show like this. We will be live streaming the whole show and I expect some extremely interesting improv to take place in those early morning slots. I can’t wait to see this show!

If you’d like to instantly submit to the LA Comedy Festival you can do so HERE.


Nick is Camp Director and Founder of Improv Utopia an improv retreat for adults in California and Pennsylvania. He is also one of the founding members of the National Improv Network and performer and teacher at iO West as well as member of The Sunday Company at The Groundlings. He has also taught many workshops around the country.

Improv is Spreading Like a Wildfire

boise-wildfire_91_600x450Gone are the days of major cities owning all of improv. Those days are gone just like rotary telephones and one dollar gas. The improv community in the United States reaches far and wide now. Last year alone, I was able to visit improv communities in Phoenix, AZ (The Torch Theatre/NCT Phoenix), San Francisco (SF Improv Festival), Roseville, CA (Blacktop Comedy Theatre), Detroit, MI (Detroit Improv Festival/Go Theatre, Denver, CO (Voodoo Comedy Lounge, Group Mind Foundation, Bovine Metropolis Theatre), Cedar City, UT (Off The Cuff Improvisation) Los Angeles, CA (iO/LA Improv Festival) and last but not least Camp Improv Utopia in California. These are just some of the ones that are out there now there are a ton more.

 

It was mind blowing to see the great work being done in other cities that aren’t Chicago, LA or NYC. I was almost envious at some of the stuff that these groups were doing. Taking it to the next level, experimenting and taking huge risks. Sure sometimes it fell flat on its face but other times it was brilliant. Such is improv. We are wrong to think that the best improv can only be done in the bigger improv cities. That’s just naïve. There is great work being done outside the walls of those great cities and I’ve seen it and am continually impressed by it.

 

I think there is a lot we can learn from these thirsty improv communities too. Passion, commitment to the art form and taking risks. It seems that improv in Chicago, LA and NYC are more focused on industry vetting then experimenting and growing. And it’s not their fault. Improv has become and industry standard in the casting and TV world. They come and take players and writers from these institutions all the time so it’s going to attract that kind of student, writer and performer. And they should because there is some amazing talent there. But it also makes it extra hard to have time to rehearse, experiment and do something new because the focus is elsewhere.

 

I leave you with this, Del Close said to treat your audience like poets and scholars. Shouldn’t we still honor that no matter what? Improv means it’s all about taking risks and making bold choices, so shouldn’t we live that way too? If people didn’t grow their art we would have only been introduced to Picasso’s Blue Period, The Beatles cover songs and the Harold. We would have never had the chance to see Picasso’s Cubism Period, The Beatles own material or forms like the JTS Brown and the Deconstruction.

 

Be bold, follow your fear and see improv everywhere!

Written by: Nick Armstrong

Nick is an Actor, Writer, Improviser and Director living in Los Angeles, CA. On TV Nick has been on the Emmy-Award winning shows The Office, Parks and Recreation and Grey’s Anatomy. He has also made regular appearances on Jimmy Kimmel Live. Onstage you can catch Nick performing and teaching regularly at the world-famous iO West in Hollywood, CA with LA’s Best Harold Team King Ten and The touring Genre-Improvised Show Kind Strangers. Nick has also trained at the famed Groundlings Theater. He is the Founder and Camp Director of Improv Utopia an annual camp for improvisers. For more information visit www.nickarmstrong.com orwww.improvutopia.com

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